{"id":98293,"date":"2022-06-07T12:11:55","date_gmt":"2022-06-07T10:11:55","guid":{"rendered":"http:\/\/www.dandavats.com\/?p=98293"},"modified":"2022-06-08T06:55:16","modified_gmt":"2022-06-08T04:55:16","slug":"who-can-lead-kirtan-who-should-lead-kirtan","status":"publish","type":"post","link":"https:\/\/www.dandavats.com\/?p=98293","title":{"rendered":"Who can lead kirtan, who should lead kirtan?"},"content":{"rendered":"<p><img src= \"https:\/\/images.squarespace-cdn.com\/content\/v1\/615bb6c643007d1564db8a25\/233db852-bd9d-438d-bf2b-cd38dc75cfeb\/caitanya2.jpeg\" width=\"100%\" \/><\/p>\n<p>Ananta Purusottama das<\/p>\n<p>Why such a question you might ask? In one sense anyone can lead a kirtan,<br \/>\nbut let us consider a few things first. I write this as much for myself as<br \/>\nothers as I too am prone to egoism and a lack of proper attitude at times<br \/>\nin my service.<\/p>\n<p>There are few leaders, such as Indradyumna Swami and Sivarama Swami,  who<br \/>\nwill only have capable devotees lead a kirtan, those who know how to keep a<br \/>\nsteady pace and stick to the same melody. I am not of the opinion that<br \/>\nanyone can lead at any given time, maybe we need some sort of training<br \/>\nprogram? There does not seem to be an exact standard even, some will sing<br \/>\nGaura Nita and other things, which are not wrong, obviously, but we saw<br \/>\nSrila Prabhupada mainly stick to the Hare Krsna mantra, so why don\u2019t we do<br \/>\nthat. It is after all called \u201csarva mantra sar\u201d, that which contains all<br \/>\nother mantras.<\/p>\n<p>We all know that Srila Prabhupada taught the famous three couples who came<br \/>\nto England, how to conduct kirtan, it seems that is a necessity, we should<br \/>\nhave some idea how to conduct a proper kirtan, whether we are pure or not,<br \/>\nthat will come in time no doubt.<\/p>\n<p>On the other hand, Srila Prabhupada was once asked, what can we do to<br \/>\nattract more people to kirtan, he said you don\u2019t need to do anything<br \/>\nexternally, but if you chant purely and sincerely, Krsna will send people<br \/>\nto you. I believe he also stopped some travelling festivals because it was<br \/>\ngetting too extravagant and losing the purity, I would have to look that up<br \/>\nto remember the specifics though.<\/p>\n<p>There are many instances where Srila Prabhupada would stop somebody if he<br \/>\nfelt they were in the wrong mood, one particular instance comes to mind.<br \/>\nOne devotee was leading, dressed very nicely and very expert at playing<br \/>\nmrdanga and he had a very nice voice, but Srila Prabhupada stopped him and<br \/>\nasked a young gurukula boy to sing, whose voice was even a little off tone,<br \/>\napparently that devotee who began leading walked out. I heard this in one<br \/>\nof Srila Prabhupada\u2019s memories.<\/p>\n<p>We have heard Srila Bhaktisiddhanta asking his devotees to lead who did not<br \/>\nhave a great voice, I think he was making a point there, Krsna wants our<br \/>\nlove, not our expertise.<\/p>\n<p>Should a devotee ask to lead or be asked to lead? It may be he or she wants<br \/>\nto lead as a service, and that is okay, as long as their motivation is just<br \/>\nthat. Nowadays we do have a bit of a celebrity culture and it seems one<br \/>\nneeds to know a very good melody also. Does that matter? One could be pure<br \/>\nin heart still, one who sings a basic melody that we all know, may not be<br \/>\nso pure, it may be difficult to tell for some of us. It is up to that<br \/>\ndevotee to be sure of their own heart. I prefer the scenario where a<br \/>\ndevotee is asked to lead.<\/p>\n<p>There is a nice interview with Agnideva Prabhu where he mentions that he<br \/>\nhas now become well know, even famous, he didn\u2019t want that, but he takes<br \/>\nthe opportunity to lead kirtan as a service which I think is a nice attitude<\/p>\n<p>As for melodies, now we have a few of our Guru\u2019s using melodies from songs<br \/>\nof the 60\u2019s and 70\u2019s, I don\u2019t say it is wrong or bad, I don\u2019t think it is<br \/>\nnecessary either, in fact it makes some think of that song the melody has<br \/>\nbeen taken from. Now younger devotees follow that sometimes, and may not<br \/>\nalways do a good job of it, then better they sing something simple for all<br \/>\nto follow.<\/p>\n<p>You sometimes get a situation where a devotee is not thinking of the<br \/>\naudience, but instead is singing a \u201cfar out\u201d melody that perhaps only a few<br \/>\nknow, so why is that, are they being taught that it is necessary to know<br \/>\ngreat melody, or a new melody, that could give the wrong impression, it<br \/>\ncould be we get bored of the same old melodies, that is not a good mood to<br \/>\ncreate I don\u2019t think. I have even had a few devotees tell me that when they<br \/>\nare leading they think the melody should be changed as others might be<br \/>\ngetting bored!<\/p>\n<p>I know one of our sanyasi who will only sing the same melody when leading,<br \/>\none that Srila Prabhupada taught us, he feels that is right I guess, and<br \/>\nother melodies are not needed. I have never asked him though.<\/p>\n<p>I have seen situations where every single festival the same few devotees<br \/>\nare leading a kirtan, they should give others an opportunity. There are<br \/>\noften senior devotees present, but I never see that they are asked to lead,<br \/>\nit may be they don\u2019t mind, but I think it is good etiquette to at least ask<br \/>\nthem, but it is not happening, at least in England. I go on a local Harinam<br \/>\non festival days, we often have a disciple of Srila Prabhupada there, Saksi<br \/>\nGopal, we always invite him to lead, even though some of us have been in<br \/>\nthe movement over 40 years, as he is still lout senior devotee and it is<br \/>\nthe right thing to do.<\/p>\n<p>We also have kirtans now with all sorts of instruments, which can be a<br \/>\ndistraction, we may like that kirtan because it is funky or jazzy etc. You<br \/>\ncan listen to Revati Nandan Prabhu on Srila Prabhupada memories telling us<br \/>\nhow Srila Prabhupada did not like such kirtans, he said the ear will tend<br \/>\nto hear those instruments and distract one from hearing the maha mantra<br \/>\nproperly. I don\u2019t really like the extra instruments, but now it is another<br \/>\nfashion in ISKCON. I hardly think they are necessary either. You might see<br \/>\na flute player who is not even able to chant along with the kirtan.<\/p>\n<p>I remember Bhaja Hari Prabhu saying in one of his Vyasa Puja offerings that<br \/>\nthe devotees used to argue over who should lead, not a very nice mood for<br \/>\nhaving a kirtan in my opinion. Some devotees like to \u201cbook a spot\u201d for an<br \/>\nupcoming festival, in some cases that seems okay, for example, there is 24<br \/>\nhour kirtan on Gaura Purnima and devotees are asked to put their name<br \/>\nforward, but when I see a Harinam coming up and devotees want to book their<br \/>\nplace, they are often the same devotees again and again. I am not sure if<br \/>\nthat is the right and fair thing, to start with it takes away the<br \/>\nopportunity for others on the day. Usually singers are asked on the day,<br \/>\norganised by one devotee who might be organising the festival, I think that<br \/>\nis better. I have heard that Aindra had two others lead with him, he said<br \/>\nthat helps diffuse the false ego of the leader, let\u2019s face it, it is easy<br \/>\nto think I am singing nicely, I know I struggle with that sometimes.<\/p>\n<p>There are some situations where only one devotee will lead the whole time<br \/>\nfor a Rathayatra festival. Is that right or fair? I recall a small Rath<br \/>\nYatra festival in England where the devotee led the whole time, another<br \/>\ndisciple of Srila Prabhupada asked me if he could lead, but I said I can\u2019t<br \/>\nsay anything (it was another Srila Prabhupada disciple leading). I think<br \/>\nsome or many devotees really do not mind that happening, it seemed to be<br \/>\ncommon in the early days, Visnujana Swami would lead a lot, or Parikisit<br \/>\nand Bhardvaja, most are just happy to be in a kirtan actually.<\/p>\n<p>At the end of the day we have to be pure and concentrate on the melody<br \/>\nwhether we are leading or responding, the same goes for our japa, we all<br \/>\nknow what a struggle that can be at times. I do not think devotees<br \/>\nhave to *lead<br \/>\nthe kirtan* to be encouraged to attend a Harinam. That could possibly give<br \/>\nthe wrong impression and create the wrong mood for that person, as well as<br \/>\nthe motivation to go on Harinam could be spoiled, instead the emphasis<br \/>\nshould be on why we go out on Harinam, for both our own and the public&#8217;s<br \/>\nbenefit. How we have to have good sadhana and japa in order to be in the<br \/>\ncorrect frame of mind at the time of the Harinam.<\/p>\n<p>These are some of my thoughts on the matter. I welcome any input,<br \/>\nespecially from senior devotees who knew how Srila Prabhupada wanted us to<br \/>\nbehave in all situations.<\/p>\n<p>Here are some headline quotes I found from the kirtan standards book plus<br \/>\nother quotes I found online, as below.<\/p>\n<p>*\u201cSrila Prabhupada\u2019s Kirtana Standards,\u201d installment 5*<\/p>\n<p>*Guidelines from His Holiness Bhakti Charu Swami*<\/p>\n<p>*1. Kirtana means glorification of Sri Hari by means of singing. (When only<br \/>\none devotee sings, it is bhajana.)*<\/p>\n<p>*2. Glorify Sri Krsna, not yourself.*<\/p>\n<p>*3. Sing with sincere devotion for the pleasure of Sri Krsna and His<br \/>\ndevotees.*<\/p>\n<p>*4. When singing in a group, one or two persons should lead and other<br \/>\ndevotees should follow.*<\/p>\n<p>*5. The instruments that Srila Prabhupada instructed for accompanying<br \/>\nkirtana were karatal, mrdanga and jhampa (whompers). He didn\u2019t approve of<br \/>\nharmonium for kirtana. For bhajana it is all right. The instruments,<br \/>\nespecially jhampa, should not drown out the holy name or cause pain to the<br \/>\nears. The instruments should follow the kirtana leader.*<\/p>\n<p>*6. Use simple melody and preferably the appropriate melody (raga) for the<br \/>\ntime of day.*<\/p>\n<p>*7. Don\u2019t think that you are the best singer and therefore you should lead.<br \/>\nVaisnavas are by nature humble. They naturally want to follow, not lead.<br \/>\nHowever, if they are requested to lead by the Vaisnavas, then they are<br \/>\nhappy to serve.*<\/p>\n<p>*Melodic instruments divert attention from the mantra; rhythm instruments<br \/>\nmake one inclined to dance and dancing unlocks devotion; melodies are to be<br \/>\nfilled with the mantra; no extended notes*<\/p>\n<p>Revatinandana: \u201cSrila Prabhupada gave a Sunday feast lecture about kirtan,<br \/>\nand he said things that I never heard him say at other times, particularly<br \/>\nnot during a lecture. He remarked that melodic instruments, including the<br \/>\nharmonium, are not meant for kirtan, and he explained why. He said that the<br \/>\near will automatically follow musical strains, and then our attention will<br \/>\nbe diverted from the mantra. He said that rhythm instruments are good for<br \/>\nkirtan because they make one more inclined to dance, and dancing, in turn,<br \/>\nunlocks devotion. He liked graceful dancing. He used to mention that<br \/>\nJayatirtha was a graceful dancer. He said, \u201cSee how he dances. This is very<br \/>\ngood. This will help one feel more devotion.\u201d Another time he told<br \/>\nVishnujana that he did not like melodies that had long, extended notes in<br \/>\nthem. He liked the melody to be filled with the mantra.<\/p>\n<p>*Prabhupada wanted the devotees to learn how to do kirtan properly*<\/p>\n<p>Prabhupada wanted to teach his London-bound disciples to sing and play<br \/>\ninstruments in a specific way. Someone should learn to play the harmonium<br \/>\nproperly-following the melody, not simply pumping it, as the devotees had<br \/>\nbeen doing for years. And the Sanskrit mantras and bhajanas should be<br \/>\npronounced properly and the melodies sung correctly. Some melodies were to<br \/>\nbe sung in the morning, others in the evening. Each word was to be<br \/>\npronounced correctly and with the right intonation.<\/p>\n<p>Prabhupada liked Yamuna\u2019s singing, and Mukunda was an expert musician for<br \/>\norganizing the party. The spacious Montreal temple was a suitable place for<br \/>\nthem to practice. Ideally, Prabhupada said, the party should have two<br \/>\nmridanga players, one harmonium player, one tamboura player, and at least<br \/>\nsix karatala players. He talked about sending the group not only to London<br \/>\nbut to the European continent and then to Asia also. So he wanted them to<br \/>\nbecome expert at kirtana. (Prabhupada Lila 7\u2013 4, Satsvarupa Swami: A Summer<br \/>\nin Montreal 1968)<\/p>\n<p>*Musical ornamentation attracts people but devotees should not be attached<br \/>\nto it*<\/p>\n<p>\u201cAniruddha: Vishnujana Swami was a wonderful devotee who sang beautifully.<br \/>\nPrabhupada said, \u201cBy his singing alone, he can go back to the spiritual<br \/>\nworld.\u201d And Vishnujana Swami was expert in playing the tambora, the<br \/>\nmridanga, the harmonium, and in making up his own melodies. He was a little<br \/>\nembarrassed to play his own melodies for Prabhupada, but he wanted to be<br \/>\nrecognized. Once, in the La Cienega temple, where Prabhupada had a small<br \/>\nprivate room adjoining the main temple room, Vishnujana was elaborately<br \/>\nplaying his melodies on the harmonium in the temple room when Prabhupada<br \/>\ncame out of his room and said, \u201cWhat is wrong with the melodies I have<br \/>\ngiven you?\u201d Today the movement has grown and we have many different<br \/>\nmelodies, but I\u2019m fond of Prabhupada\u2019s original ones.<\/p>\n<p>Prabhupada knew that we were attracting all varieties of people and he was<br \/>\nbroad-minded. When Vishnujana Maharaj started the road shows using guitars<br \/>\nand a lot of music, Prabhupada said, \u201cThis is very good to attract people,<br \/>\nbut the devotees shouldn\u2019t get attached to it.\u201d Today, however, in some<br \/>\nplaces it\u2019s common for devotees to play all these songs<br \/>\n<https:\/\/www.iskconbangalore.co.in\/category\/songs\/>. Whatever brings a<br \/>\nperson to Krishna consciousness is all right \u2013 Prabhupada taught us to be<br \/>\nbroad-minded \u2013 but we have to be careful not to compromise.\u201d (Srila<br \/>\nPrabhupada Remembrances [Siddhanta das ITV], Chapter 32)<\/p>\n<p>*Not to please the crowd but to deliver Krsna in the right way*<\/p>\n<p>\u201cYour business is not to, I mean to say, satisfy the crowd. Your business<br \/>\nis satisfy Krishna, and then crowd will be automatically satisfied. We are<br \/>\nnot going to please the crowd. We are going to give them something,<br \/>\nKrishna. So you should be very much careful whether you are delivering<br \/>\nKrishna in the right way. Then they\u2019ll be satisfied. Your only business<br \/>\nshould be to satisfy Krishna.\u201d (Bhagavad-gita 7.1, Los Angeles, December 2,<br \/>\n1968)<\/p>\n<p>SP letter to Jadurani, 26 May 1969:<\/p>\n<p>Regarding your question about kirtana, practically we are not concerned<br \/>\nwith the instruments. They are used sometimes to make it sweeter, but if we<br \/>\ndivert our attention for using the instruments more, that is not good. We<br \/>\ncan accept everything for Krishna&#8217;s service, but not taking the risk of<br \/>\ndiverting attention to any other thing which will hinder our Krishna<br \/>\nConsciousness. That should be our motto, or principle.<\/p>\n","protected":false},"excerpt":{"rendered":"<p><img src= \"https:\/\/images.squarespace-cdn.com\/content\/v1\/615bb6c643007d1564db8a25\/233db852-bd9d-438d-bf2b-cd38dc75cfeb\/caitanya2.jpeg\" width=\"100%\" \/>Ananta Purusottama das Why such a question you might ask? In one sense anyone can lead a kirtan, but let us consider a few things first. I write this as much for myself as others as I too am prone to egoism and a lack of proper attitude at times in my service. There are<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[94],"tags":[],"class_list":["post-98293","post","type-post","status-publish","format-standard","hentry","category-testing"],"_links":{"self":[{"href":"https:\/\/www.dandavats.com\/index.php?rest_route=\/wp\/v2\/posts\/98293","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.dandavats.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.dandavats.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.dandavats.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.dandavats.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=98293"}],"version-history":[{"count":3,"href":"https:\/\/www.dandavats.com\/index.php?rest_route=\/wp\/v2\/posts\/98293\/revisions"}],"predecessor-version":[{"id":98299,"href":"https:\/\/www.dandavats.com\/index.php?rest_route=\/wp\/v2\/posts\/98293\/revisions\/98299"}],"wp:attachment":[{"href":"https:\/\/www.dandavats.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=98293"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.dandavats.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=98293"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.dandavats.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=98293"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}